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Edgeland Mutter. By Andrew Kötting

Edgeland Mutter attempts to invoke a sense of the past via the here-and-now. Drawing on my own extensive Super 8 archive and a growing body of Mini DV footage the film attempts to portray a fragmented and nostalgic view of a part of the world that has proved vital to the very fabric of my existence. Amongst the sonic flotsam and jetsam lie littoral truths, half-truths and coastal myths. Both melancholic and absurd the ‘coastcard’ is a confusing missive from a place of hope. It is a reminisce and flawed celebration. Hastings as a place where both memories and people are pulled towards the sea in a strange state of ‘reverse evolution’.

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Love Brid. By Susan Collins

Love Brid is an animated postcard, a loving tribute to the timeless charms of the seaside, and a colourful rollercoaster ride through the coastal town of Bridlington (Brid) in North Yorkshire and its many unique attractions recorded on location over a few days in August 2009.

Love Brid has been made with a view to an online/iPhone context and is intended to be browsed interactively as a series of stills, or digital flipbook, as well as be seen as a linear animated film.

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Teign Spirit. By Kayla Parker and Stuart Moore

The Jones family holidayed in Teignmouth from 1934 to 1939, their summer activities captured forever on black and white film. A lifetime later the town is still here: ships in the docks, bathers on the beach, people promenade.

Teign Spirit celebrates this continuity, mixing these home movies with new waves: a twenty first century stroll along the Back Beach, evoking the optical entertainments of the Victorian pier: the flickering still-moving images of the mutascope, a figure seen for a moment, held in the mind, then gone. Silent memories, coloured by the present.

Seed: animateprojects

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